I’m
not exactly sure what genre to label the next book in my Operation: Nebraska
Author project. The Clearwater House by Tammy Marshall could be labeled
modern historical fiction if it weren’t for the paranormal elements of the
story. It could be marketed as a romance, except the love story isn’t the
focus. You could say it’s a mystery and leave it there, and while it is, it is
so much more. Let’s work through this together.
Lillian
is dissatisfied with her life.
She
works at a job she neither loves, nor hates, she’s dating a guy she’s not sure she
even likes anymore, and she rarely gets time to do the one things she really
loves: painting.
Until
a lawyer shows up at the art museum in Omaha, NE where she works informs her
that she has inherited a house in Clearwater, NE from a woman that she had
never heard of.
A
woman who was still alive.
The
mysterious woman combined with the fact that Lillian’s mother’s family was from
the Clearwater area, her grandfather still lived there, and her desire to make
some important decisions about her job, her boyfriend, and her art, made
Lillian decide to get away from Omaha for a weekend.
Once
she arrives in Clearwater, Lillian pays the lawyer a visit. In addition to the
keys to the property, he gives her an escape plan. If she ended up not wanting
the house, she’s not stuck with it. The house will revert back to the owner who
will dispose of it another way. The one clause was, she had to spend time in
the house before she decided to keep it or not.
Lillian
is intrigued by the house as soon as she sees it. It is an old two-story farm
house with a porch on the front, surrounded by trees with outbuildings and a
stream bubbling nearby.
Almost
as soon as Lillian steps into the house, strange things start happening. She
feels faint while walking down the hall and imagines she sees the original wall
paper and décor. When she sets up her painting in a room upstairs, she is
pushed by an unknown force to paint scenes she doesn’t know and doesn’t
remember doing.
She
pushes it from her mind when the welcome distraction of the handsome Jake from
across the road comes to introduce himself. Jake, recently divorced, is helping
on the family farm until he figures out what his next step is. There is an
instant attraction and he invites her over to his home for dinner and to meet
his father and son.
By
the time she leaves Clearwater that first weekend, Lillian has one question in
her life figured out. Dump her boyfriend.
She
returns the next weekend loaded down with more canvases and a burning desire to
figure out just exactly what was drawing her to the farmhouse.
She
takes Jake up on his offer to his spare room and spends the weekend with his
family and painting more pictures. The first few were of a young girl and of a
serious woman who, depending on the painting, was pregnant. The number of them
grew as well as added a man to the trio. With each painting, Lillian is no
closer to figuring out what was happening to her, but her need to know grew.
Lillian’s
connection to the house is both solidified and confused even more when she
brings her grandfather for a visit. She tells him about some of the strange
happenings and shows him her paintings that are obviously of the house but are
of people she doesn’t know. Paintings she doesn’t remember creating.
Her
grandfather is surprised to find that the serious woman is his mother and the
man is his father, people he knows Lillian has never met, nor that there were
any pictures of.
Lillian
decided to cash in her four weeks of vacation to spend more time at the house
and to meet the woman who left it to her. She made arrangements through the
lawyer to meet with Dorothy, Clearwater’s first librarian, and owner of the
house. Lillian decides to take one of the paintings with her. A painting of the
young girl.
She
was pregnant.
The
meeting did not go the way Lillian expected. She went there wanting answers.
All she found was a haunted, old woman, black and white photos of her
grandfather as a boy, and more questions.
The
trances Lillian was pulled into when she painted the scenes of the house grew
worse until the voices beckoned her even in her sleep across the road at
Jake’s. More than once, Jake or his father Gerald, found Lillian in the house
with her having no memory of going over nor how long she had been there.
Then,
the paintings began changing. She would leave for the night with one
half-finished and it would be complete in the morning. They even started
changing when people were looking at them, begging for their story to be told.
Eventually,
all was revealed.
A
woman desperate to have a child but cursed to lose every one she conceived. A
lecherous husband with a wandering eye. A young woman, who simply wanted to be
loved, to have a place in the world, but was only taken advantage of.
And
the tragic endings they suffered.
While
I found some of the writing a bit formal for fiction and much of the dialogue
wooden, the story more than kept me intrigued. The trances that Lillian was
pulled into to make the paintings, the ghosts who did all they could to have
their story known, and the surprise ending held me until the very last page.
After
thinking about it while writing this review and flipping through the book
again, I think the best label for The Clearwater House is paranormal
fiction with elements of family drama and romance. But, as with any story, it
is more than its label.
It
is about a young woman struggling to find her path in life and the tragic
family dynamics a generation past that unknowingly shaped the present.
I
found The Clearwater House at the Nebraska Writers Guild 2016 Spring
Conference. I think it was one of two books I bought that day and I am glad I
did. It is a paranormal story without being scary, or erotic, or over the top
as many in the genre are nowadays (not that any of that is bad). The paranormal
element made it mysterious and enthralling. It was almost a character in its
own right.
I
think this would be a great book, not only for paranormal fans, but also of
mystery readers, women’s lit readers, and family drama fans. I’d recommend the
readers be 18+ or at least mature 16 year olds and up. It’s not excessively
graphic but there are definitely some adult situations that might not be
appropriate for younger readers.
More
by Tammy Marshall:
How
I Healed My Cyclical Vomiting Syndrome Through Diet and Exercise: I’m Now Living
Better with Chronic Illness
“Novel
Thoughts” column in the Norfolk Daily
News
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